dBpowerAMP Music Converter: Mp3 (Lame) Compression


 

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dBpowerAMP licenses various Patents from Thompson for mp3 encoding & decoding.

Lame is the King of mp3 encoders, reasonably fast and giving possibly the highest quality, continually developed, dBpowerAMP ships with the latest version. A license is required for mp3 encoding, the reason for a license is explained.

mp3 (Lame) Compression Options

The green bar represents the Bitrate bar, this is the quality of the resulting mp3 file, higher bit rates files are of a higher quality than lower bit rate files. Some presets (already defined modes) handle the quality and bitrate so when a preset is selected the bitrate pointer(s) might disappear.

Optimum Settings

To quickly set lame to its best - set both Channels and Frequency to [as source] and click Advanced Options, under Presets select one of the Alt presets such as ALT Preset Standard. It is the ALT presets that give the highest quality for file size, there are a variety to choose from that alter the final size and quality. It should be noted, most Alt presets use VBR (see below), your mp3 player (if an older portable) might not be compatible with VBR encoded files, the various ALT presets are:

  • Alt Preset Standard results in an audio file of high quality and of a reasonable size,

  • Alt Preset Fast Standard as above, but sacrificing very slight quality for a higher speed of compression,

  • Alt Preset Extreme of a higher quality and larger ending file size than Standard,

  • Alt Preset Insane for those who want the highest quality mp3 possible, bitrates will be around 320Kbps,

  • Alt Preset CBR when a fixed bitrate is used throughout compression (for players incompatible with VBR),

  • Alt Preset VBR user specifies an average bit rate,

All Settings

Green Bitrate Scale: when being used for constant, or average bitrate (see below) there is one pointer - clicking the left mouse button on the scale sets the bitrate. For Variable bitrates there are two pointers, a minimum bitrate (set with the left mouse button) and a maximum bitrate (right mouse button).

Frequency - number of samples per second to be encoded, [as source] will set the final frequency to the source frequency (44.1KHz for Audio CDs).

Channels 

  • [as source] set the channels to that of the source (2 for Audio CDs), if 2 channels then Joint Stereo (preferred 2 channel option) is used.
  • Stereo - two separate audio channels.
  • Mono a recording with only a single channel of information. A question that is often asked Why is my 128kbps encoded Mono file, not half the size as a 128kbps encoded Stereo file? The answer is simple, to keep the Kbps rate constant, the mono file is encoded at twice the quality rate as the stereo file (Kbps measurement is for the whole recording regardless of the number of channels, so Per Channel Kbps = Kbps / Number of Channels).
  • Joint Stereo - luckily for stereo compression sound on the left channel is very similar to sound on the right channel, Joint Stereo takes advantage of this similarity to use the savings on the 2nd channel to give higher quality compression.

Advanced Options

Clicking Advanced Options offers:

Preset Quality there are dedicated people who have done all the work in determining settings for various qualities, each of the ALT presets are described under optimum settings (above). Many of these presets over-ride certain other settings, so don't be surprised if you cannot alter a bitrate after setting a preset.

Encoding - mp3 files fall into these distinct types:

  • Constant Bit Rate (CBR), a constant bit rate is used throughout the encoding process, so a 128Kbps audio file of 60 seconds will always be around 960KB in size (128 * 60) / 8,

  • Variable Bit Rate (VBR). Mp3 files are made up from 100's of small audio chunks, called frames. Whilst encoding VBR files the encoder decides which bit rate to use for each frame. Bit rates can drop down to lower value when it is warranted (if there is not much sound going on), and switch up to a higher bit rate when required. VBR files are great when a compromise between file size, and quality has to be made. VBR Options - a Minimum Bit Rate and a Maximum Bit Rate are specified by clicking the left and right mouse buttons on the green bit scale. Quality 'Low ---- High' controls the quality factor for VBR (higher quality larger files). Disable Bit Reservoir stops the carrying over of bit reservoir between frames, resulting in less space for audio (slightly lower sound quality), should only be used if audio player requires (very few should),

  • Average Bit Rate a little like VBR except with VBR the end file size is not known (could be small, could be big), ABR is VBR with known end file size, it works by regulating how variable the compression is, so at the end of the compressing the average is roughly the value specified.

Set Bits

  • Copyright marks the mp3 file as containing copyright material,

  • Original marks the mp3 file as an original file (not a copy),

  • Private - the mp3 is private.

Write CRC Checksums adds a checksum to each frame, so the decoder can tell if it has become corrupted, very few audio players use checksums.

mp3 dMC Configuration Options

From dMC Configuration (start >> programs >> dbpoweramp music converter >> configuration) Options reveals additional codec options: 

CRC Errors: certain mp3 files are encoded with CRC checks within each frame, this option can set the decoder to skip a frame with errors.

Decode To: sets the output resolution when decoding a mp3 file, it is recommended the default 16 Bit (dither) is used as not to create compatibility problems with other codecs.

Advanced Tagging Configuration

From dMC Configuration (start >> programs >> dbpoweramp music converter >> configuration) ID Tag Options reveals tagging options, these options are only used when creating new tags, not editing existing: 

Mp3

Tag Creation  mp3 files can have many different types of ID3 tags, they are:

definitions:  Element - title of tag item such as Artist,     Data - tag value such as Madonna

  • ID3v1 which is limited to fixed Element names and about 30 characters per Data item,
  • ID3v2 writes tags at the beginning of the file which results in slower tag writing, ID3v2 has many fixed Element names, data values can be any length and Unicode,
  • APEv2 a modern tagging format, Unicode characters, allows any Element and any length Data items,

The preferred tagging type is ID3v2 most programs are compatible with ID3v2, if you are using characters outside of normal ANSI (a-z) consider enabling Write ID3v2 Unicode as this will allow the correct writing of international ID Tags (especially Far Eastern Tags).

Write ID3v1 Version, ID3v1 has two subversions: ID3v1.0  and ID3v1.1, the difference is v1.1 shortens the comment field by 1 character to store off a track number.
ID3v1 UTF8 Read reads ID3v1 tags that have been encoded as UTF8 (Unicode)
ID3v1 UTF8 Write writes ID3v1 fields as UTF8, not recommended for compatibility reasons,
Write ID3v2 Unicode will write UTF-16 characters, not all programs will be able to read Unicode ID3v2 files, check compatibility,
Write ID3v2 Version there are many sub versions to ID3v2, can be set to an older version if an older program requires,

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